šŸ­ Perplexity, Paywalls, Power

Perplexity sued... again!

In partnership with

Good morning. We almost let an AI write today’s issue, but it tried to unionize the paragraphs and demand residuals from your eyeballs.

Let’s dig in. šŸ‘‡

šŸ­ What’s Cookin’:

  • Publishers vs AI: who decides what models read

  • Hollywood’s newest ā€œactressā€ is fully synthetic

  • Humans are starting to talk like chatbots

  • Apple’s VP exodus and Meta’s AI news feed

  • ToolBox: turn any photo into a product ad

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AI Copyright
šŸ‘Øā€āš–ļø Who Gets To Decide What AI Knows?

The Bite:
Perplexity just got smacked with fresh lawsuits from The New York Times and the Chicago Tribune for allegedly scraping their work to train its models and then spitting their journalism back out almost word-for-word.

The Times says it even sent cease-and-desist letters and Perplexity kept going anyway.

Oh, and there are claims the AI made up stories and slapped the Times’ name on them.

But this isn’t really a ā€œPerplexity bad, publishers goodā€ story.

It’s a much weirder question:
If you need permission (and big checks) to train on the world’s information, who gets to decide what tomorrow’s AI is allowed to know?

Snacks:

  • The lawsuits: NYT and Chicago Tribune say Perplexity scraped their content, trained on it, and reproduced their journalism inside its answers.

  • The double hit: They’re mad about both the training fuel and the AI answers that look a lot like paywalled articles.

  • The hallucination problem: One allegation: Perplexity invented a scandal and credited it to NYT reporting.

  • The gatekeeping upgrade: Big media is now cutting licensing deals with AI labs — basically ā€œpay to be in the model’s brain.ā€

  • The bias twist: If only a few big publishers make it into training, their blind spots and politics shape what the model calls ā€œtruth.ā€

  • The open-web reality: The original scoop gets summarized and reposted everywhere anyway, so total control over data is mostly a fantasy.

Why It Bites:
Everyone says they want ā€œunbiased AI,ā€ but you can’t get that if the training data is basically whoever could afford the best lawyer or cut the biggest licensing deal.

If models are blocked from huge chunks of reality because of who owns it, you don’t just protect journalists, you also create an information filter that users never see.

The scary future isn’t just AI stealing content.

It’s AI that politely follows all the rules, trains only on pre-approved sources, and still ends up giving you a censored version of the world.

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Steal This Prompt
šŸ“ø Any Photo → Product Ad

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  1. Click this link (Prompt)

  2. Paste it into your favorite GPT

  3. Replace the #’s with your product and brand

  4. Watch it cook up ad copy and angles your CMO will pretend were their idea


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Everything Else
🧠 You Need to Know

Big Screen AI
šŸŽ„ Hollywood’s Newest It Girl Is… A JPEG

The Bite:
Hollywood has a new up-and-comer: Tilly Norwood, an actress who does not exist, does not have a trailer, and will never ask for green M&Ms.

She’s a fully AI-generated ā€œstarā€ built by producer Eline van der Velden, who’s openly trying to make ā€œthe Scarlett Johansson of the AI genre.ā€

Actors are understandably a little jumpy. SAG-AFTRA president Sean Astin calls AI a ā€œtsunamiā€ but says he wants performers to ā€œsurf the wave,ā€ not get wiped out.

Meanwhile, a Beverly Hills startup, Kartel.ai, is out here cloning reporter Jo Ling Kent’s face for a full coffee ad.
No set, no crew, just her Instagram and a laptop.

Snacks

  • Meet Tilly: It took thousands of tweaks to get her look and emotions ā€œcamera ready.ā€

  • AI-only lane: Her creator wants Tilly in her own AI genre, not acting opposite real humans.

  • Union energy: SAG-AFTRA is fine with avatars, not fine with AI replacing paid performers.

  • Ad world flex: Kartel.ai made a whole ā€œCup of Joā€ campaign from Jo Ling Kent’s photos and a quick capture session.

  • Time and money: Brands get fast, cheap, infinite takes; humans get to wonder where they still fit.

Why It Bites
We’re creeping into a world where your favorite ā€œcelebrityā€ might be a character that no one has ever seen in real life, but who still has a brand deal, a fanbase, and a meticulously managed personality.

That’s kinda fun (endless weird stories, no scandalous paparazzi pics)… until you remember these faces are built from real humans’ data, real styles, and real performances.

The real question isn’t ā€œWill AI replace all actors?ā€

It’s ā€œHow many of the faces on screen will quietly be synthetic and will anyone watching care as long as the show is good?ā€

— Eder

Founder | Snack Prompt & The Daily Bite
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